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What was the first standardized tradition of toolmaking of Homo erectus and early H. sapiens?

What was the first standardized tradition of toolmaking of Homo erectus and early H. sapiens? Correct Answer Acheulean industry

The Acheulean industry was the first standardized tradition of toolmaking of Homo erectus and early H. sapiens. Hand axes and cleavers were among the tools developed in this period.

Related Questions

In the question below, there are two statements followed by two conclusions numbered I and II. You have to take the given statements to be true even if they seem to be at variance with the commonly known facts. Read all the conclusions and then decide which of the given conclusions logically follows from the given statements disregarding the commonly known facts. Statements: I. All homo sapiens are brave. II. Only a few homo sapiens are crazy. Conclusions: I. Some brave are not crazy. II. All crazy are homo sapiens.
Which is a toolmaking tradition characterized by crudely worked pebble (chopping) tools from the early Paleolithic Period?
The school has always been the most important means of transferring the wealth of tradition form one generation to the next. This applies today in an even higher degree than in former times for, through the modern development of economy, the family as bearer of tradition and education has become weakened. This passage best supports the statement that for transferring the wealth of tradition from one generation to the next _______
The school has always been the most important means of transferring the wealth of tradition form one generation to the next. This applies today in an even higher degree than in former times for, through the modern development of economy, the family as bearer of tradition and education has become weakened.

This passage best supports the statement that for transferring the wealth of tradition from one generation to the next :
Human beings are referred to as Homo sapiens. Which device is called Sillicon Sapiens?
Most teachers acknowledge the importance of standardized tests and do not feel their teaching has been compromised. In a 2009 Scholastic/Gates Foundation survey, 81% of US public school teachers said state-required standardized tests were at least "somewhat important” as a measure of students’ academic achievement, and 27% said they were "very important " or "absolutely essential." 73% of teachers surveyed in a Mar. 2002 Public Agenda study said they "have not neglected regular teaching duties for test preparation". What inference can be drawn from the above paragraph?
The values of control limits for the standardized c-chart are different from the control limits of the standardized p-chart.
In the following passage some of the words have been left out. Read the passage carefully and select the correct answer for the given blank out of the four alternatives. The ______________ of gurudakshina is very ancient and it is ________________ to the Indian culture and tradition. If you are absolutely ______________ about India, then it's advisable that you first try to understand the meaning of a guru and the ________________ of his presence in the lives of those around him. This, in turn, will help you to understand what guru dakshina is. In ancient India, a teacher or a guru was a spiritually _____________ guide.
it is ________________ to the Indian culture and tradition.
Read the passage carefully and choose the best answer to each question out of the four alternatives. It is a labour of love and the result of painstaking research. Chikankari - A Lucknawi Tradition by Paola Manfredi, an Italian, is a book that shows her close and long association with the craft. Lucknows chikankari is known across the world yet very little research or documentation has been done. Articles or features haveappeared off and on but this book is amongst the first of its kind, which aims to document the vast treasure called Chikan. What makes the book extremelyinteresting is that unlike other books that tend to rely on second hand material, with exhaustive references and quotes, Paola Manfredi has filled her tome withpassionate grass-roots level research. The narrative more in the nature of a personal journey, with all the quirks and street-smart practicality, makes the bookrefreshing. As Paola says in the book, it is not a scholarly or academic research but more of a documentation of the world of chikankari. Paola questions the use of chikan as a word for embroidery, highlighting that it has a broader connotation encompassing haute couture, the fine art of making agarment, embroidering it and finishing it with finesse. She is no stranger to chikankari having worked with SEWA and several craftsmen. Her love for white on whiteembroidery also found a calling in chikan. Paola came to India to work in textile exports and as she says, “If you like textiles ... India is a heaven, an inexhaustibletreasure trove.” The book, Chikankari - A Lucknawi Tradition is best described as a ____________ the art of chikankari.
Read the passage carefully and choose the best answer to each question out of the four alternatives. It is a labour of love and the result of painstaking research. Chikankari - A Lucknawi Tradition by Paola Manfredi, an Italian, is a book that shows her close and long association with the craft. Lucknows chikankari is known across the world yet very little research or documentation has been done. Articles or features haveappeared off and on but this book is amongst the first of its kind, which aims to document the vast treasure called Chikan. What makes the book extremelyinteresting is that unlike other books that tend to rely on second hand material, with exhaustive references and quotes, Paola Manfredi has filled her tome withpassionate grass-roots level research. The narrative more in the nature of a personal journey, with all the quirks and street-smart practicality, makes the bookrefreshing. As Paola says in the book, it is not a scholarly or academic research but more of a documentation of the world of chikankari. Paola questions the use of chikan as a word for embroidery, highlighting that it has a broader connotation encompassing haute couture, the fine art of making agarment, embroidering it and finishing it with finesse. She is no stranger to chikankari having worked with SEWA and several craftsmen. Her love for white on whiteembroidery also found a calling in chikan. Paola came to India to work in textile exports and as she says, “If you like textiles ... India is a heaven, an inexhaustibletreasure trove.” What makes the book, Chikankari - A Lucknawi Tradition interesting?