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Taking the Count is an 1898 painting by American artist Thomas Eakins. It is part of the collection of the Yale University Art Gallery.
This depiction of a prizefight marks Eakins' return to anatomical studies of the male figure, this time in a more urban setting. Taking the Count was his second largest canvas, but not his most successful composition. The same may be said of his Wrestlers. More successful was Between Rounds , for which boxer Billy Smith posed seated in his corner at Philadelphia's Arena; in fact, all of principal figures in this composition were posed by models re-enacting what had been an actual boxing match.
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